The Cape Cod Blue

The Cape Cod Blue

by David Osborn

Chase Morse and his brother, Haydn, heirs to an auction-house empire, split their time between Manhattan and The Moorings, the idyllic family estate on Nantucket. Gabrielle, a French journalist sent to write features on the glittering New York art world, becomes entangled with the family, but when a body turns up at The Moorings and a priceless painting goes missing from inside the vault at the auction house amid tight security, family secrets get harder to keep. The police start digging, and the stakes are high—eighty million dollars, pilfered and then lost in risky Russian investments. Can an entitled one-percenter with expansive resources, enlisting the help of a wily art forger, outsmart the art cops and the old guard within the company?

The glittering, exalted world of art auctioning hides love, hate, and murder in a wealthy and socially prominent family when the forgery of an anonymous Cape Cod painting threatens to destroy them all.

more from David Osborn

Selected praise:

“Breathless introduction to the inner workings of big business …”  —The Times Literary Supplement, reviewing David Osborn’s The Glass Tower

“This well-plotted thriller makes compulsive holiday reading.”  —Salisbury Journal, reviewing David Osborn’s Murder on Martha’s Vineyard

“As commercial and exciting a novel as can be found today.… It is shocking, savage, and graphic, a cruel book that spares little in detail. There is unbearable suspense, headlong action, and ends with a final ironic twist that will leave the reader gasping. Osborn is a master storyteller and his remorseless style matches his remorseless narrative.…”  —Abilene Reporter News, reviewing David Osborn’s Open Season

“An exciting, highly plausible Washington thriller …”  —Gore Vidal, reviewing David Osborn’s The French Decision

“No better example of absorbing, fast-paced intrigue. Compelling to the last punctuation mark.”  —Clive Cussler, reviewing David Osborn’s The French Decision

“This is a first-class book. It has what one admires so often in English thrillers and finds so seldom in American ones: literate, accomplished writing which makes the plot more ingenious, the characterizations more deft and engaging, and therefore the thrills more thrilling.…”  —Michael Thomas, author of Green Monday, reviewing David Osborn’s Love and Treason

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